Page 12 - Madhu Jagdhish

... everything in the figure, every

opportunity it gives, the face, the hands, the

posture of the limbs, the poise and turn of

the body, every accessory, has to be made

instinct with the inner meaning, help it to

emerge, carry out the rhythm of the total

suggestion, and on the other hand

everything is suppressed which would

defeat this end, especially all that would

mean an insistence on the merely vital or

physical, outward or obvious suggestions of

the human figure.